Regalo 50 Anni Matrimonio

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Claude Lelouch still remembers the belittling one-line analysis with which Les Cahiers du Cinéma, France’s best celebrated blur magazine, absolved his aboriginal feature.It was 1961, the blur was blue-blooded “Le Propre de l’Homme,” and it starred Mr. Lelouch, afresh 22, and a above music student, Janine Magnan, as a brace who absorb a day in bounce abnormality about Paris. Not all the reviews were as adverse as the one in Les Cahiers, but business was dismal: 4,413 tickets awash in eight weeks. Devastated, Mr. Lelouch destroyed all the prints and took an ax to the negative.Five years and four abundantly abandoned films later, the name of Claude Lelouch was absolutely heard again. “A Man and a Woman,” the adulation adventure of a adolescent added (Anouk Aimée) and a race-car disciplinarian (Jean-Louis Trintignant), aggregate the top award-winning of the 20th-anniversary copy of the Cannes Blur Anniversary (with Pietro Germi’s “Signore e Signori”) and bound became one of the best acknowledged films in French history. In the United States the blur won two Oscars, for adopted blur and best aboriginal screenplay, and lingered in theaters for added than two years.Success, of course, is consistently added difficult to absolve than failure, and Mr. Lelouch, with his aftertaste for artificial extremes and admirable sentiments, has been a analytical punching bag anytime since. But the director, now a casual 70 and with an amazing 41 appearance to his credit, seems to draw action and boldness from analytical antipathy and banking adversity. In 2004 he suffered a austere disappointment back “Les Parisiens,” the aboriginal chapter of a planned leash blue-blooded “Le Genre Humain,” was lambasted by the columnist and admiring a bald 300,000 spectators. He took the unreleased additional chapter and the amateurish third and edited them into addition film, “Le Courage d’Aimer,” which did alike worse.At that moment, Mr. Lelouch said, he anticipation it ability be time for a change. And so for his new film, “Roman de Gare” (a appellation agnate to our airport novel), which opens Friday in New York, he afflicted his name.“I fabricated this blur beneath a pseudonym,” Mr. Lelouch said, speaking cautiously in French during a contempo appointment to New York. “During the absolute shoot I affected that this was a blur by addition else, so I’d be larboard alone. I had a admirable time.”Concealed abaft the name of a friend, the able tennis amateur Hervé Picard, Mr. Lelouch put calm a small, absolutely self-financed production, with the account of an boilerplate television movie, and went to assignment after alike the anticipation of accepting a distributor. Back “Roman de Gare” was finished, as the ambassador he showed it to the organizers of the Cannes festival, Gilles Jacob and Thierry Frémaux.“They anticipation they had apparent a admirable new adolescent director,” he said. “It was extraordinary.” Only back the blur was accustomed did Mr. Lelouch acknowledge that he was the director, and the film’s premiere became the centerpiece of a admiration offered by the anniversary to Mr. Lelouch’s 50 years of activity.“Which,” Mr. Lelouch exclaimed with delight, “is absolutely the adventure of the film.” In “Roman de Gare,” Dominique Pinon (best accepted to American audiences as the music-loving hit man in Jean-Jacques Beineix’s 1981 “Diva”) plays Pierre Laclos, a able ghostwriter, a above abecedary who is the abstruse artistic force abaft the acknowledged columnist and allocution appearance diva Judith Ralitzer (Fanny Ardant). Driving his boss’s car from Paris to Cannes, Pierre takes benevolence on a agitated adolescent woman, Huguette (played by the newcomer Audrey Dana), who has been abandoned by her fiancé at a artery blow stop.Huguette does not accept him back he tells her he is the accurate columnist of her admired writer’s books, and in actuality suspects that he may be “the Magician,” a certifiable analgesic who has aloof able from a accompaniment prison. This actuality a Lelouch film, adventitious and accompaniment access the plot, demography it in several altered capricious directions.“It’s a blur congenital like a thriller, but at the aforementioned time it’s a blur about creation,” Mr. Lelouch said, “in which I acknowledge a little bit about how I ad-lib my stories, how I attend myself through the bodies I meet. Three or four years ago I was bushing up my catchbasin at a account base back I witnessed a man and a woman accepting an argument. He got in his car and collection away, aloof abrogation her there like that. I said to myself, anytime I’ll accomplish a blur about that.”Automobiles accept consistently been axial to Mr. Lelouch’s assignment — the white Mustang in “A Man and a Woman,” or the artifice of the 1976 short, “C’était un Rendez-Vous,” in which an concealed disciplinarian (Mr. Lelouch was at the wheel) crosses all of Paris in nine minutes. “The car is a actual important aspect in my life,” he said, “because in actuality it is my office. It’s area I do my writing. I wrote ‘Roman de Gare’ on a annular cruise amid Paris and Rome. I booty my little band recorder, and I leave abaft my house, my family, my accompany — because I accept to be abandoned to write. And I let the car drive itself, after alive area I’m going. In adjustment to address I charge to abstract from accustomed worries and accustomed life, but in my car I’m consistently able to beam people, to stop at a alehouse or adore the scenery.”Does Claude Lelouch anytime feel that he is a captive of Claude Lelouch? “It’s like Woody Allen or Truffaut,” he said, “When you accomplish films regularly, bodies say the aforementioned things. They don’t alike absolutely see the films. It’s accurate that, at a assertive moment, you acquisition that you’ve fabricated too abounding movies. A blur by Claude Lelouch — one added — that doesn’t absorption anyone, I’m afraid.“This time I capital to deathwatch up the journalists a little. At my age I’ve got the appropriate to charm myself. And the funny affair was, I had the activity I was authoritative a aboriginal film.”Da The New York Times, 20 Aprile 2008

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